A takedown or a cover up? Sol LeWitt’s famed Loop sculpture goes into hiding

A significant, large-scale work by the late artist Sol LeWitt has vanished from the exterior of a federally-owned downtown building — and the government agency in charge of the piece refuses to say why.

“Lines in Four Directions,” a 90-foot-by-72-foot artwork, had been mounted on the west facade of 10 W. Jackson Blvd., an office building owned by the U.S. General Services Administration.

Has it been removed — or just covered up?

A GSA spokesperson went silent Tuesday after promising since last week to find out what is happening with the work.

Either way, the move follows a Trump administration decision in March to shut down the branch of the GSA that oversees the department’s 26,000 pieces of art and artifacts.

Also troubling: The GSA removed an online entry about the piece from a section of its website dedicated to the agency’s fine arts collection.

Rhona Hoffman, owner of Rhona Hoffman Gallery, was a personal friend of LeWitt and among the sponsors instrumental in getting “Lines in Four Directions” installed in 1985.

“Holy [cow],” Hoffman said, when I told her the work had been removed. “Oh my gosh, I don’t want to lose that or lose sight of where it is … wow.”

‘A quiet, contemplative work’

LeWitt, who died in 2007 at age 78, was a celebrated artist whose works often explored abstract lines and forms.

The Art Institute of Chicago has 80 of his pieces in its permanent collection.

“Lines in Four Directions” is a rectangular work rendered in aluminum featuring a grid of four squares, each with painted aluminum strips that were oriented either vertically, horizontally and diagonally. The strips are set in relief, which gave the sculpture a 3D quality that changed moods with the movement of the sun.

The work was funded by a $50,000 grant from the National Endowment for the Arts and donations raised by Art in Public Places, a nonprofit that was created in 1974 and funded by the NEA.

According to documents provided by the Hoffman Gallery, the sculpture cost $196,581 to create and mount. Sponsors thought the work would be worth $400,000 upon completion.

“It is a quiet, contemplative work that provides a momentary escape from the surrounding city bustle,” the city’s catalog of public art said of the LeWitt sculpture.

The federal government bought the building and the sculpture in 2000.

Daniel Schulman, former director for public art for the city’s Department of Cultural Affairs and Special Events, said he was “in a panic” when he saw the 10 W. Jackson Blvd. building’s wall last week.

“The LeWitt is one of my favorite public artworks in the city,” he said.

“It manages to be both monumental and incredibly reserved, on a scale and a setting that somehow perfectly mirrored LeWitt’s artistic personality,” Schulman said. “How incredible for Chicago, and how tragic that treasures such as these might be at risk.”

Time for the GSA to speak up

Let’s make it plain: The LeWitt’s apparent disappearance and the GSA’s silence is particularly distressing given the Trump administration’s desire to sell-off government assets — almost fire sale style — under the guise of federal cost cutting.

In March, the GSA suddenly put up 443 federal properties for sale, including the Chicago Federal Center’s Kluczynski and Metcalfe buildings and post office.

The GSA quickly rescinded the list. But issuing it in the first place should raise eyebrows — and alarms, given the properties for sale did not include the nearby federally-owned Century and Consumers Buildings, two vacant and moldering vintage Chicago landmarks at 202 and 220 S. State St.

The GSA is seeking developers for the two towers, but the buildings have been in limbo for years. Will the LeWitt face the same fate?

“Is it to be installed on another building in Chicago or elsewhere, or has it been relegated to storage already never to see the light of day?” Hoffman said. “Does anyone know?”

The General Services Administration knows. And needs to tell.