The Rolls-Royce Bespoke Collective of designers, engineers and craftspeople is dedicated to advancing the discipline of craft itself, developing techniques that expand the ways clients can express themselves through the surfaces of the motor car. Driven by this pursuit, Rolls-Royce Motor Cars unveils four new craft techniques inspired by historical craftsmanship: 3D leather hand-sculpting, 3D metal hand-sculpting, 3D veneers and beadwork application.
- Rolls-Royce introduces four new craft techniques, inspired by the decorative arts
- Exploration of texture, material and depth influenced by art, haute couture, fine jewellery and architecture
- First-ever application of hand-sculpted 3D metal within a Rolls-Royce Gallery
- First showcase of layered 3D veneer that integrates brass elements
- Beadwork and leather sculpting applied to create realistic forms
- Innovations developed by the Bespoke Collective at the Home of Rolls-Royce
- Available to view at Rolls-Royce Motor Cars London, Mayfair, during London Craft Week 11th-17th May, 2026.
“Our Bespoke Collective of designers, engineers and craftspeople constantly looks to the history of decorative arts and asks how those techniques might be reinterpreted for the surfaces of a Rolls-Royce motor car and for today’s super-luxury clients. The concepts we present here are a playful expression of our craftspeople’s creative spirit. They show how hand and machine can work in concert, how a 17th-century still life or a Jacobean strapwork motif can become a modern sculptural form, and how Rolls-Royce is both a custodian and an accelerator of rare craft skills.”
Phil Fabre de la Grange, Head of Bespoke, Rolls-Royce Motor Cars
“London Craft Week is an important calendar event for Rolls-Royce Motor Cars London, bringing together leading specialists in contemporary craft. Each year, it is always truly mesmerising to see the exquisite examples of Rolls-Royce’s Bespoke craftsmanship created for the event. We are really proud to participate once again in London Craft Week and to display these highly complex examples of craft and creativity at our dealership in Mayfair.”
Claus Andersen, Brand Director, Rolls-Royce Motor Cars London
“Craftsmanship lies at the very heart of Rolls-Royce Motor Cars, with creativity nurtured at every turn. As a brand synonymous with exacting levels of craftsmanship, London Craft Week is a defining moment in our annual calendar. For this year’s event, our highly talented craftspeople and designers from the Home of Rolls-Royce at Goodwood have created two enchanting works of art – intricate Phantom Galleries with corresponding exterior jewellery pieces, inspired by the legacy of their crafts. This exhibition will be on display at our flagship showroom, in the heart of Mayfair, for the duration of the event in May.”
John Beckley, Regional Director, United Kingdom, Europe, and Central Asia, Rolls-Royce Motor Cars
To showcase the potential of these innovations, they are presented in two works built at the scale of a Phantom Gallery – concept pieces that translate the techniques into a finished form.
LEATHER AND THREAD IN THREE DIMENSIONS
The composition named ‘Legacy Craft: Inspired by Still Life’ draws inspiration from the nature morte paintings of the 17th-century Dutch Golden Age – a style developed to display the skill of the artist through the exploration of texture and the play of light across natural forms – and the embroidery traditions revived by the Arts and Crafts movement.
Across the length of the Gallery, Interior Trim Centre artisans composed a still-life arrangement of fruit and flowers, recalling 17th-century art in a three-dimensional form using a combination of materials, textures and contemporary craft techniques.
The Gallery debuts the first application of 3D leather sculpting and beadwork. The hydrangeas are constructed from 50 individual flowers, each hand-sculpted from leather and painted by hand. After studying the texture and quality of natural flowers, the artist painted each petal with a fine brush in tones of pink that gradually deepen toward the centre of each bloom. Floral twine is used to shape and secure the flowers to the Gallery surface. Their leaves are formed entirely from thread using a newly developed style – Sphinx Moth 3D embroidery – introducing a uniquely tactile dimension.
The pomegranates are embroidered using the alternate stitch technique, with 76 jewel-like beads individually hand-sewn to form the seeds that replicate the ruby translucence of the real fruit. More than 250 hours of handwork were required to complete the Gallery.
A broad colour palette is central to the Gallery’s impact; rich, deep tones have been chosen to maintain focus on the subject matter. Peony, Cocoa, and Chartreuse have been used for the flowers.
“Still life painting interests us because it freezes a moment in time. It is also one of the most technically demanding traditions in art. We saw an opportunity to take that discipline further with a sculptural piece that draws on every skill within the Interior Trim Centre and is worked at the smallest possible scale. For the textures and layering, we looked to late-19th-century haute couture. The embroidered gowns of that period taught us how to build a surface that feels rich, refined and unmistakably contemporary.”
Rebecca Davies, Bespoke Design, Rolls-Royce Motor Cars
SCULPTING METAL BY HAND
The artwork named ‘Legacy Craft: Inspired by The Draught’ is created by specialists from the Interior Surface Centre and brings together 3D metal hand-sculpting and layered 3D veneer with brass elements.
Conceived as a piece of fine jewellery, it draws on four historical references: the draught – the technical drawing a craftsman uses to guide architectural work; scribing – the act of marking a surface to guide cutting and carving; strapwork – the interlaced, band-like motif of Elizabethan and Jacobean ornament; and ferramenta – the ironwork support grid used to retain stained glass.
The 3D veneer uses multiple layers of laser-cut wood to create a complex, faceted relief, finished with brass inserts that catch the light like haute joaillerie. The composition reads from left to right as a journey from initial design to finished sculpture, culminating in a three-dimensional, jewellery-like flower. On the left side of the Gallery, the patterns laser-etched onto smoked Eucalyptus wood represent the maker’s plan – the draught. The etched design then transitions into 3D marquetry, marking the journey from drawing to object. The piece then becomes increasingly sculptural. A delicate brass lattice, inspired by strapwork and the ferramenta of stained-glass windows, is applied over the veneer and completed with subtle laser engraving for additional texture.
The centre point is a jewel-like flower, formed from five layers of brass, each cut into petal shapes using an advanced waterjet. This detail alone required over 45 hours to complete. Before assembly, each petal is hand-engraved with over 50 lines – each just 0.2 mm wide – and shaped using specially modified tools, a technique developed in-house by Rolls-Royce craftspeople.
“Clients often come to us with two or three ideas they want to see brought together, and we create ways for those inspirations to speak to each other. This composition was a chance to sharpen that instinct by taking a flat draughtsman’s drawing and growing it into a three-dimensional sculpture. We brought together four historical references – the draught, scribing, strapwork and ferramenta – in materials and techniques entirely new to Rolls-Royce. What emerged is something that feels highly modern, built from techniques that are centuries old.” Laura Salter, Bespoke Design, Rolls-Royce Motor Cars
HAND AND MACHINE, IN ONE COMPOSITION
Both artworks have been developed around a single design philosophy: that hand and machine craftsmanship are most powerful when they work in concert. Laser cutting, waterjet shaping and digital pattern drafting are used to achieve geometries that no hand could repeat with the same accuracy. Hand-engraving, hand-painting, hand-embroidery and hand-sculpting are then applied to give the work its individual character.
The techniques introduced on these two Galleries have been developed as part of Rolls-Royce’s wider programme of bespoke craft research and exploration of new materials and techniques.
Both pieces will be presented to the public at London Craft Week, hosted at Rolls-Royce Motor Cars London, Berkeley Street, Mayfair, from 11th to 17th May 2026.
See also: Louise Pragnell’s Portrait of the Princess Royal Unveiled
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