The Sculpture Park is back: This time at the Jaigarh Fort in Jaipur

“There is never a theme to the Sculpture Park,” says Peter Nagy. After all, the point is to celebrate the medium in all of its multiple forms. “It’s about diversity,” he adds. Something that is evident in the smorgasbord of materials and design processes that have inspired the participating artists.

Something Old, Something New

Recurrent Neural Network 2 by LN Tallur, 2023. Crafted with layered stones in a variety of colours, this piece is a self portrait by the artist. Courtesy of Nature Morte, New Delhi.

Atoll by Wolf, 2024. Born from discarded and found materials, each piece embodies a tender interplay of fragility and resilience. Courtesy of Round Them Oranges, Jaipur.

Fictional Symphony Halls by Navin Thomas, 2017. Crafted from recycled wood, these kinetic models come with moving parts. Courtesy of Nature Morte, New Delhi.

This year’s transition to a structure believed to have once served as a medieval prison and later an ammunition storehouse ushers in an exciting new era for the project. Unused for over 120 years, Vijay Garhi’s architecture provides a stark contrast to the ornate elegance of Madhavendra Palace, where the event has taken place for the past four years. “A fresh canvas comes with its own challenges but can also reinvigorate the artistic process in new and interesting ways,” says Nagy. The juxtaposition of ancient stone walls with cutting-edge contemporary art creates a dynamic tension that invites visitors to view both the art and the historic site through a new lens. Seeing Subodh Gupta’s gleaming totems in super-sized proportions set against the 11th century walls is a sight to behold. On the contrary, LN Tallur’s contemporary avatars feel right at home, blurring the lines between past and future. “We want to democratise art by having the larger public engage with it,” says Aparajita Jain of the Saat Saath Arts Foundation, who founded the Sculpture Park along with Peter Nagy in 2017.

A Celebration Of Diversity In Sculpture

Fire and Ice Post 5 by Ray Meeker, 2020. The surfaces retain the marks of the sculpting process, enhancing their industrial character. Courtesy of Nature Morte, New Delhi.

White Metal Patrawork Stambh by Ashiesh Shah, 2025. This piece fuses both spherical and ovoid volumes. Courtesy of Nature Morte, New Delhi.

Cosmic Calm by Subodh Gupta, 2018. While the handi is a signature Gupta element, the addition of whimsical everyday objects takes this piece into Pop Art territory. Courtesy of Nature Morte, New Delhi.

Featuring sculptures by 16 artists from India and beyond, the exhibition showcases a wide variety of materials—bronze, stainless steel, ceramics, stone, fibres, and wood—reflecting the richness and versatility of three-dimensional art. Among the standout works are Ashiesh Shah’s Stambhs—inspired by cosmic forms unique to Indian geometry and traditional crafting techniques, often not well-known and in danger of being forgotten completely. Equally captivating is Vishal Dar’s site-specific installation crafted for the fort’s entrance corridor, a piece that dialogues seamlessly with the architecture while pushing the boundaries of form and perception. “Both Vishal Dar and Afra Al Dhaheri created works specifically for this site, engaging deeply with the fort’s unique spatial and historical context,” Nagy adds.

Coming Full Circle

Abandoned by Latika Katt, 2023-2025. The 20 works from this series start with bronzes that have been cast from waxes concocted by Katt. These bronzes are then mounted within larger stones, of varying types. Courtesy of the artist.