Sculpture: A Dialog Between Tradition And Technology

In a world increasingly defined by rapid change, artist Naresh Kumar Kumawat is creating a bridge between the past and the future, blending ancient heritage with cutting-edge technology. For Kumawat, who has crafted over 3,000 sculptures, including hundreds installed in over 80 countries, the art of sculpture is a lifelong journey of learning, not a destination.

From the towering statue of a revered deity in Rajasthan to the intricate “Samudra Manthan” inside the new Parliament building, Kumawat’s work is a testament to his vision of innovation. He is a pioneer in integrating advanced technologies like 3D scanning, robotic arm sculpting, and digital modeling into the traditional art form.

“While I have always remained deeply rooted in the traditional and realistic sculpting style passed down to me by my father, I knew that was not enough,” he explains. “As an artist born in the 1990s, I was always intrigued by innovation and have aspired to merge heritage with modernity. Technology has given my hands a new language while keeping the soul of sculpture intact.”

Kumawat’s journey began in childhood, watching his father transform raw materials into sacred forms. This early exposure instilled in him a profound connection between creation and devotion, a theme that continues to resonate in his work. He sees cultural and religious sculptures not just as artistic expressions, but as “timeless storytellers” that help us understand our history and values.

“These creations, sculpted by our ancestors without the tools we have today, reflect profound dedication, skill, and faith,” he says. “They offer us a living connection to our roots. Through these idols, generations have learned about their traditions, belief systems, and cultural identity. They’re silent yet powerful educators.”

Kumawat believes that monumental sculptures play a crucial role in shaping public consciousness and societal perspectives. He cites the visual forms of deities, popularized by pioneering artists, as a foundation for his own work. His own creations, such as the 369-foot Statue of Belief and the 125-foot Statue of Social Justice, are more than just statues; he sees them as “movements in bronze and stone that challenge perceptions, invoke pride, and restore narratives.”

While he acknowledges that India is experiencing a renaissance in public art, he believes there is still more to be done. Citing examples from Europe and the United States, he emphasizes that public art is a “cultural touchstone” that can shape a nation’s identity.

“Public art has the power to beautify our cities, educate society, and leave a lasting impression on future generations,” he says. “We must invest in it—not just as decoration, but as a way of telling our story to the world.”

Kumawat’s creative process is rooted in emotion and extensive research. Before even touching the clay for “Samudra Manthan,” he immersed himself in studying its representations across various cultures and historical sites. “Every sculpture, whether mythological or contemporary, begins with study, then evolves through emotion, and finally takes form through my hands,” he says. “It’s not just about creating an object—it’s about creating a presence that speaks across time.” (IANS)