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Mid-March brings another tight circuit of London openings, where thresholds, inheritance and transformation quietly thread through the week’s shows. From Gavin Turk’s half-open portals and Alexis Ralaivao’s sensuous studies of drapery to Ty Locke’s handmade heirlooms and Floryan Varennes’ speculative medical armour, these exhibitions move between the personal and the symbolic — tracing the strange spaces where memory, material and imagination meet.
Tuesday 10th March
Ben Brown Fine Arts 6PM -8PM
Ben Brown Fine Arts to present The Escapologist, the sixth solo exhibition of British artist Gavin Turk at the London gallery.
The exhibition presents a new series of oil paintings depicting doors left ajar, each offering a glimpse into an ambiguous and surreal terrain beyond. Shown together, the works transform the gallery into a labyrinth of thresholds. Each painting functions as a portal, drawing the viewer towards a narrow opening that reveals a field of smooth, liquid brushwork. These passages dissolve into bands of luminous colour that suggest an atmospheric horizon, generating unstable optical effects that coax the eye into a false sense of depth. @thisisnotgavinturk @benbrownfinearts
Vivienne Roberts Projects 6.15PM – 8.15PM
“Entre chien et loup” is a French expression which comes from the mediaeval latin infra horum vespertinam, inter canem et lupum and alludes to the momentary liminality between day and night, when a wolf can easily be mistaken for a dog.
It can also signify the instability of the world and mind – moments of transition, ambivalence, uncertainty. Across cultures, the threshold signals the boundary between the domesticated and the wild, the known and the unknown, and the psychological transformation that occurs when these worlds meet.
In Persian folklore, the wolf’s tail denotes the first light, the false dawn. Ingmar Bergman’s film The Hour of the Wolf describes the pre-dawn moment when nightmares intensify, fears peak, and the boundary between rationality and the irrational thins, yet this is also the time when new life and possibility emerge.
Just as dusk transforms and distorts the landscape, the liminal twilight state of the mind awakens the imagination. @vivienne.roberts.projects
Wednesday 11th March
Copperfield 6PM -8.30PM
For his second solo show at Copperfield, Ty Locke gives a first impression reminiscent of an auction presentation at a bankrupt stately home. Chandeliers hang over suits of armour and picture frames stand stacked on the floor, but these remnants are not enough to make a home and their materiality betrays them. From cigarette filters to Poundland party platters, the works are fabricated from cheap, readily-available items but through intensive labour. 20,000 threaded filters hang over the scene in the form of a chandelier and set the tone for the exhibition; if Locke has anything that could be considered an heirloom, it is a recently kicked addiction to nicotine or the £20 ‘Love to Shop’ voucher he got when his nan passed.
Family, memory, class and coming of age have preoccupied the artist in developing the exhibition, as he began to see art school friends inheriting legacies, nest eggs and memorabilia. In the absence of real heirlooms, Locke set about making his own, reflecting that, when collected, these works might eventually become someone else’s real inheritance, consistent with the wry sense of humour that has helped him laugh his way through a complicated childhood. @tylocke.art @copperfield_london
Thursday 12th March
Pilar Corrias
Pilar Corrias present Flirter avec l’abstrait, the first UK solo exhibition by Alexis Ralaivao. The presentation brings together a new suite of paintings that draw on Old Master techniques, particularly those associated with 17th-century Dutch painting and its meticulous treatment of fabric and surface.
The paintings depict tightly cropped fragments of midriffs and drapery that, when isolated from the wider image, approach geometric abstraction. In these works, composition, texture and colour take precedence over narrative. The result is a series of bright, sensual studies that resist spectacle and instead invite sustained looking and a sense of emotional proximity. @oavialar @pilarcorriasgallery
Friday 13th March
Xxijra Hii 6PM-9PM
Xxijra Hii present new work by Floryan Varennes, his first outside of France this year. Since NADA, Floryan had received the Villa Busan residency prize in Busan, South Korea, where his entire exhibition was acquired by a private collector. Later that year, he also exhibited at the Louvre Lens.
Varennes’ practice operates at the fascinating intersection of medieval history, speculative sci-fi futures and queer theory. Grounded in his dual background, his sculptures, installations and performances explore the complex duality of aggression and healing; examining how society constructs physical and psychological defences.
For ‘Even Spectres Can Tire‘, the use of clinical materials and subjects like orthoses, PVC sheet and glass creates a duality in Varennes’ sculptures. Existing as both armour and chrysalides found in an “artificial medical garden”, he draws upon fantasy lore and speculative fiction to examine themes of bodily vulnerability and endurance. @floryanvarennes @xxijrahii
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